So use them on a variety of projects including posters, T-shirts, signs and more.Ĭompatible with PCs and Macs, the Desktop fonts come in. Thanks to the incredible detail in these Veneer fonts, they won't just work at normal size, these high resolution letterpress fonts work great at very large sizes too. With specific distress actions on a letter basis, you can mix all sorts of Veneer fonts together in one project to create a realistic letterpress type. Add some artistic fun to your already killer design with graphical icons that include items from weather, weapons, designs and more.Įach letter has 6 distress options to choose from, with three options for all other characters. From lightly distressed to heavily distressed, you'll soon own: Veneer, Veneer Italic, Veneer Two, Veneer Two Italic, Veneer Three, Veneer Three Italic, Veneer Extras, and Veneer Extras Italic.ĭone in the same vintage style as the Veneer fonts, you'll get 2 distressed styles of icons. With this Mighty Deal, you'll get 8 unique fonts in the Veneer Font Family. That's why Veneer is something special, because it was hand-crafted with a real vintage and detailed appearance. Arnold Schwazenegger and the future taught us that in Terminator. And with a half-dozen options available, you won't find a more unique, vintage and grunge-like font than Yellow Design Studio's top-selling font, Veneer. We're talking about distress as a design feature. And, of course, it gets on well with its sharper sibling, Sinter.People pay extra to have it done to their furniture.Īnd the government tries bailing out cities stuck in it.īut what about fonts? Yeah, even they can join in on the distressing action.ĭon't worry, it's a good thing. A full range of diacritics provides support for over 130 languages. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and an array of alternative glyphs let designers vary its mood at will. This redrawn and expanded version of the best-selling text/display family now boasts nine weights, ranging from the taut, elegant Thin to the massive Ultra, each with a matching italic.
A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Its branches are angled in homage to OCR-A. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Aldo Novarese knew it in 1962 when he designed Eurostile. Hermann Zapf knew it in 1952 when he designed Melior. Georg Trump knew it in 1930 when he designed City.
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